Humanist Discussion Group, Vol. 39, No. 403.
Department of Digital Humanities, University of Cologne
Hosted by DH-Cologne
www.dhhumanist.org
Submit to: humanist@dhhumanist.org
[1] From: Esteve Del Valle, M. <m.esteve.del.valle@rug.nl>
Subject: Digital Resilience Within a Hypermediated Polycrisis (113)
[2] From: Ellen CHARLESWORTH <ellen.charlesworth@uni.lu>
Subject: CFP – Computational Humanities Research Special Issue, Computational Approaches to Art (93)
--[1]------------------------------------------------------------------------
Date: 2026-04-07 11:18:58+00:00
From: Esteve Del Valle, M. <m.esteve.del.valle@rug.nl>
Subject: Digital Resilience Within a Hypermediated Polycrisis
Dear colleagues,
We are delighted to announce the publication of the special issue
/Digital Resilience Within a Hypermediated Polycrisis
<https://www.cogitatiopress.com/mediaandcommunication/issue/view/499>/,
published in /Media and Communication/.
The issue brings together 15 articles spanning more than 17 countries
and addressing a wide range of digital resilience phenomena, from
Bangladeshi women’s responses to disinformation and online harassment,
to community‐led
technologies countering environmental injustices in Brazil, to the
navigation of digital surveillance in later life in Spain. Together, it
offers an interdisciplinary, multimethod, and global approach that
highlights both the opportunities and challenges involved in fostering
digital resilience.
All articles are open access and freely available to read and download
(see the table of contents below and the attached editorial).
Best,
Marc Esteve del Valle, Ansgard Heinrich and Anabel Quan-Haase
------
Digital Resilience Within a Hypermediated Polycrisis (2026, Volume 14)
Edited by Marc Del Valle, Ansgard Heinrich and Anabel Quan-Haase
Complete issue: https://doi.org/10.17645/mac.i499
Table of Contents:
Digital Resilience Within a Hypermediated Polycrisis
https://www.cogitatiopress.com/mediaandcommunication/article/view/12272
By Marc Esteve del Valle, Ansgard Heinrich and Anabel Quan-Haase
Media Literacy as Resilience: A Conceptual Framework
https://doi.org/10.17645/mac.11458
By Olga Pasitselska and Annamária Neag
Digital Resilience to Disinformation: From Libraries to Citizens
https://doi.org/10.17645/mac.11404
By Nereida Carrillo, Marta Montagut and Roberto Gelado Marcos
Generational Differences in Digital Resilience in Four Countries
https://doi.org/10.17645/mac.11399
By Shelley Boulianne
Community-Based Communication Technologies and Environmental
Disinformation: Digital Resilience Under Far-Right Threats
https://doi.org/10.17645/mac.11417
By Bruna Távora and Paulo Victor Melo
Targeted for Speaking Out: Gendered Disinformation and Digital
Resilience in Bangladesh’s Polycrisis
https://www.cogitatiopress.com/mediaandcommunication/article/view/11429
ByFarah Zahan Shuchy and Md. Azaher Uddin
Local Wisdom and Pre-Bunking Strategies: Building Digital Resilience
Against Misinformation in Indonesia
https://doi.org/10.17645/mac.11439
By Amia Luthfia and Mia Angeline
So Emotional? The Role of Emotions for Young Adults’ Resilience to
Disinformation
https://doi.org/10.17645/mac.11398
By Jülide Kont, Çiğdem Bozdağ, Wim Elving and Marcel Broersma
Digital Resilience in Social Media Feminist Activism: Reactance Theory
Applied to Weibo and Zhihu
https://doi.org/10.17645/mac.11402
By Jinman Zhang and Anabel Quan-Haase
Same Platform, Different Stories: TikTok and the Battle Over
Immigration Narratives
https://doi.org/10.17645/mac.11409
By William Hollingshead, Anatoliy Gruzd and Philip Mai
To Scenes Through Screens? A Study of The Offline Club Digital Detox
Community
https://doi.org/10.17645/mac.11395
By Zuzana Ľudviková and Rashid Gabdulhakov
Hypermediated Adolescence: Tactical Resilience Through and Against the
Digital in Post-Pandemic China
https://www.cogitatiopress.com/mediaandcommunication/article/view/11452
By Dandan Dong
Between Resilience and Abandonment: Political Factors Determining
Participatory Budgeting Through Digital Participatory Platforms
https://doi.org/10.17645/mac.11507
By Joel Peiruza-Parga, Joan Balcells, Rosa Borge and Albert Padró-Solanet
Normative Commitments and Platform Logics: Understanding Journalism’s
Adaptive Resilience Through Coverage of Democratic Innovations
https://www.cogitatiopress.com/mediaandcommunication/article/view/11560
By Paschalia (Lia) Spyridou
Navigating Digital Surveillance in Later Life: Determinants of Identity
Masking and Data Protection Practices
https://www.cogitatiopress.com/mediaandcommunication/article/view/11500
By Sara Suárez-Gonzalo, Joel Peiruza-Parga and Mireia Fernández-Ardèvol
When Trust Facilitates Risk: Older Adults’ Navigation of Deceptive
Content in Urban China
https://doi.org/10.17645/mac.11531
By Rui Duan and Kun He
--
Dr. Marc Esteve del Valle, /Senior Lecturer/, Centre for Media and
Journalism Studies, University of Groningen (The Netherlands) | Google
Scholar<https://scholar.google.com/citations?user=BtRD8IkAAAAJ&hl=en>
--[2]------------------------------------------------------------------------
Date: 2026-04-07 08:29:39+00:00
From: Ellen CHARLESWORTH <ellen.charlesworth@uni.lu>
Subject: CFP – Computational Humanities Research Special Issue, Computational Approaches to Art
Call for papers – Computational Approaches to Art
The deadline for submissions is 30 June 2026.
https://www.cambridge.org/core/journals/computational-humanities-
research/announcements/call-for-papers/computational-approaches-to-art
Themed issue description
Art history is a discipline shaped from the outset by imaging technologies. Yet
debates ensue over whether digital approaches have led merely to methodological,
epistemic and ontological shifts. Might today’s computational techniques be said
to “reconfigure our fundamental understanding of what constitutes a work of art”
(Drucker 2013)? In what ways are computational methods affirming, challenging,
and/or shifting computational formalism (Wasieleski)? To what degree are
approaches such as distant viewing (Arnold and Tilton, 2023) and digital art
history as critical AI (Impett and Offert2024) opening, closing, and expanding
the study of art? How might computational analyses illuminate the hidden
networks of meaning and influence that underpin visual culture? What other
directions might computational methods afford for the analysis and creation of
“art”? These are just several questions that we invite researchers to engage.
Rather than viewing art as a static archive, computational approaches invite us
to reimagine it as a dynamic site where meanings are constructed, contested, and
circulated. By tracing patterns and connections imperceptible to traditional
methods—patterns that might reveal, for instance, the interplay between image,
audience, and context—these approaches surface visual culture as an active
process shaped by the forces of production, mediation, and reception.
Accordingly, we also invite submissions that demonstrate how combining methods
such as image and network analysis offer a methodological approach into the
study of art.
This themed issue aims to explore the ways in which advanced computational
techniques are reshaping the methodologies, research questions, and epistemic
frameworks within the fields of art history and related disciplines. This issue
seeks to highlight how computational humanities contribute to our understanding
of art across periods, geographies, and media, and we also welcome work that
demonstrates the limits of computational approaches.
Topics of interest
We invite researchers to submit papers that address computational approaches to
the study of art or visual culture, broadly understood. We welcome both new
contributions as well as extended versions of papers presented at previous CHR
conferences.
Topics of interest include, but are not limited to:
* Computational techniques for the analysis of art
* AI/Computer vision methods for art, including clustering and
classification
* Visualisation strategies for art corpora
* Computational approaches to the history of art, including photography
* 3D and non-flat art culture: architectural history, sculpture, etc.
* The gaze of computer vision and GenAI with, through, and creating art
* Computational approaches to areas such as restoration and conservation,
digital reconstruction, and art markets and audiences
* Cross-disciplinary work bridging and expanding art history with other
fields
Ethical, political and legal questions.
Submission process
All submissions should be made via the CHR online peer review system(opens in a
new tab)<https://mc.manuscriptcentral.com/ch-research>. Authors should consult
the journal’s Authors
instructions<https://www.cambridge.org/core/journals/computational-humanities-
research/information/author-instructions> prior to submission, to ensure
compliance with formatting and technical requirements.
Submissions should present original research and will be subject to rigorous
peer review.
Contacts
If you have questions about this themed issue, please reach out to the Guest
Editors:
* Leonardo Impett (University of Cambridge,
UK): li222@cam.ac.uk<mailto:li222@cam.ac.uk>
* Lin Du (National University of Singapore,
Singapore): dulin525@gmail.com<mailto:dulin525@gmail.com>
* Ellen Charlesworth (University of Luxembourg, Luxembourg):
ellen.charlesworth@uni.lu<mailto:ellen.charlesworth@uni.lu>
For any questions relating to editorial policy or the submission process, please
contact the journal’s Editorial Office
at chr@cambridge.org<mailto:chr@cambridge.org>
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